Three weeks ago I listened to a lot of very nice music during the Islay Sessions 2019 at the Port Charlotte Hotel and Bruichladdich Hall. After that the day job and a few other things got in the way, so I only now get a chance to look back at it. Those who follow me on Twitter might have seen the clips already (individually), but here’s a video with a few impressions I’ve pulled together (all recorded on my phone, so it’s not studio quality. But I think it’s good enough to give you an idea):
The Sessions took place over three days from 22-24/Nov/2019. The Friday kicked off the event with a concert by newly formed VOX in the conservatory of the Port Charlotte Hotel. They played a variety of songs, with Laura-Beth and Kim (as well as on occasion the audience) providing the vocals. After the concert most went to the Port Charlotte Hotel bar for the informal part of the evening. Members of Eabhal and VOX joined forces and played a variety. Later during the evening Grahame Allison (owner of the Port Charlotte Hotel) sang a Gaelic song he performs regularly, what made it even better was Kaitlin Ross (of Eabhal) and Kim Carnie at times joining in.
Saturday saw the main concert at Bruichladdich Hall. After an introduction by Greig Shaw (brother of the late Fraser Shaw, who started the Islay Sessions) the Charlie Stewart Duo warmed up the audience with a variety of tunes on fiddle and guitar. Once they finished their set they stayed on stage to support Kim Carnie who sang some beautiful songs in Gaelic and English for us. Again there was some audience participation after a crash course in Gaelic for some. After the break and the Islay Sessions raffle of CDs and whisky Eabhal took the stage, mainly playing songs from their debut album This Is How The Ladies Dance. Again some beautiful tunes including some with rousing pipes. I headed back to the cottage after the concert as I was tired, but I hear their was more music in the Port Charlotte Hotel bar until early in the morning.
Sunday evening I finally got to see and hear the concert I had been waiting for for a year (she had to cancel the previous year as she had lost her voice, but this year all went to plan): Claire Hastings gave a wonderful solo performance with guitar and ukulele and of course her wonderful voice. Among other songs Fairweather Beggar and I Missed The Boat got an outing as well as a new song she wasn’t even sure it was finished just yet.
I had a great weekend and straight after their sets bought two albums online (Eabhal and Kim Carnie’s In Her Company). Angus was of the same opinion, as he writes in the Oban Times, Thrills and spills at Islay Sessions. If everything goes to plan I’ll be back for the 2020 Islay Sessions, scheduled for 20-22/Nov/2020. May be see you there?
Something slightly outside of the normal content of this blog, but then there’s a good chance that without the Islay Sessions I wouldn’t have heard of this album (and others I will write about some other time). So I think it does fit into this blog. I’ve known Gráinne Brady for a number of years now, performing at and organising the wonderful Islay Sessions. Early on she was mainly performing together with other artists, last year saw her launching a solo project with her debut album. I’ll let her tell you about it herself:
The Islay Sessions saw the second ever live performance of the album, Gráinne supported by Andrew Waite and Innes White. It was a great experience, her telling us about the project and then performing it, taking on parts of the spoken word as well. Some great musical storytelling. Here’s a short snippet (mobile phone recording, so not the greatest quality) from the sessions, just to give you an impression:
If this got you interested, Gráinne is going on tour in Ireland and Scotland in late February and March 2019. Here is her tour poster:
It’s Christmas eve, as good excuse as any to open a very nice bottle of Islay single malt whisky for Christmas. After the Gorag 02 a few months ago I decided to open another bottle of the cask exploration series, the Eolas An Deididh 07. Bottle #356 of 393:
It was aged for 9 years and finished in a Rivesaltes wine cask from the far south of France. 2 years younger than the Gorag 02. Very nice with some 85% dark chocolate after the venison burger I had this evening.
This is bottle #267 of 360 of the Port Charlotte cask exploration o2, Gorag. Aged 11 years in a Pessac-Leognan cask (I must admit, I have no idea what that means apart from that it is a wine cask. But it tastes wonderful).
I don’t know more than what it says in the screenshot, but it looks like after the Southern Islay distillery footpath we will soon see a Rhinns of Islay equivalent between Port Charlotte and Bruichladdich. Many thanks to Ross Coutts for spotting and sharing:
Thought I’ll make you (well, some of you) jealous tonight. Enjoying a wonderful dram (or two, or three) of this wonderful Islay single malt and single cask whisky tonight, a Bruichladdich Port Charlotte cask exploration Cubaireachd 18:
There’s only one problem with it: The bottle will be empty far far too quickly.
Well, I had planned to share a short video from the Islay Sessions tonight, together with a mention that the artists in said video will soon be visiting the south of England. But then I spotted an error in the video, so it will have to wait for another day. Meaning I’m going to pull forward a video I had saved for another day, a very nice video about the Museum of Islay Life:
I hope you enjoyed the video and if you haven’t been yet (or even if you have been) it encouraged you to visit the museum (again).
Almost a month since the event and I finally managed to get my act together to edit my first longer video from the Islay Sessions 2017. I’ve decided to go slightly out of sequence and start with the later evening sessions in the bar of the Port Charlotte Hotel, where everyone gathered after Adam’s and Mark’s Concert in the Conservatory (which I’m aiming to edit next).