This weekend I’m going to see Ross Ainslie and Ali Hutton (supported by Jenn Butterworth and others) at the south coast of England. Which inspired me to write another post about an artist I got to know through the Islay Sessions (which makes it a post for this blog). In case you’re wondering what the connection is: Brìghde has played together with Ross (not sure if she has played with Ali as well), here’s a nice recording:
But now to the real topic of this post, to Brìghde Chaimbeul‘s debut album, The Reeling. It was published in January 2019 to very positive reviews, for example in the Guardian. I’m not sure if she played any of it during the Islay Sessions in November 2018, but what I heard certainly motivated me to buy the album on release day. Here’s a (rather low quality, as it was recorded with a mobile phone) short snippet from her performance at the Islay Sessions in Bruichladdich Hall (my lack of musical skills don’t allow me to identify the tune):
Back to the album, it’s available on various download/streaming services (I bought it on Google Play as that’s what I use mostly) and you can buy a CD/LP from Rough Trade. If you’d like to get an impression before you buy you can hear some (or all if you have a Spotify account) here:
If that’s not enough, here’s a video with one of the songs from the album:
Isn’t that a beautiful rich tune? I’ve listened to the album many times now and will listen many times again. I’m not sure about any upcoming gigs by Brìghde, but I’m sure they’ll be mentioned on her social media accounts: Brìghde Chaimbeul on Facebook and Brìghde Chaimbeul on Twitter.
Something slightly outside of the normal content of this blog, but then there’s a good chance that without the Islay Sessions I wouldn’t have heard of this album (and others I will write about some other time). So I think it does fit into this blog. I’ve known Gráinne Brady for a number of years now, performing at and organising the wonderful Islay Sessions. Early on she was mainly performing together with other artists, last year saw her launching a solo project with her debut album. I’ll let her tell you about it herself:
The Islay Sessions saw the second ever live performance of the album, Gráinne supported by Andrew Waite and Innes White. It was a great experience, her telling us about the project and then performing it, taking on parts of the spoken word as well. Some great musical storytelling. Here’s a short snippet (mobile phone recording, so not the greatest quality) from the sessions, just to give you an impression:
If this got you interested, Gráinne is going on tour in Ireland and Scotland in late February and March 2019. Here is her tour poster:
Looking forward to seeing Gráinne Brady again (having seen her at several Islay Sessions over the years), this time launching her solo album (I believe that session is sold out now).
One ‘new’ (as in new for me) artist I’m very much looking forward to is Brighde Chaimbeul. I had heard of her through Hamish Napier (who I had seen at another Islay Session a number of years ago). Here’s a taster of her playing together with Innes White (who will also play with her on Islay):
That’s all I’ve got for now. Hope to see you at the Islay Sessions or if not elsewhere on Islay in the two weeks leading up to them.
Living and working in the south of England I don’t get many opportunities to hear live traditional/folk music, in particular from the vibrant Scottish scene. The main opportunity for me are my regular Islay visits, in particular the Islay Sessions when I can. That’s where I got to know Jenn & Laura Beth in November 2017 (after hearing Laura-Beth back in 2015). The sound quality isn’t as good as I would have liked (my microphone or more likely my recording capabilities struggled with the louder sections), but here’s a nice memory from the concert at Bruichladdich Hall:
Now here are some good news for those living in the south of England who would like to hear the two live and/or refresh memories from the Islay Sessions: They will play two shows in the south in early March.
I’ve got a ticket for the latter, very much looking forward to the concert! If you live further north (or in Belgium, they are coming over in Sep) check their website for further shows.
Unfortunately these two concerts (and more) had to be cancelled due to the “Beast fae the East” and “Storm Emma”, I hope they can be rescheduled for some other time. As a tiny consolation I’ll try to edit the remaining footage I’ve got from the Islay Sessions this weekend and get them uploaded.
Almost a month since the event and I finally managed to get my act together to edit my first longer video from the Islay Sessions 2017. I’ve decided to go slightly out of sequence and start with the later evening sessions in the bar of the Port Charlotte Hotel, where everyone gathered after Adam’s and Mark’s Concert in the Conservatory (which I’m aiming to edit next).
Less than a month to go to the Islay Sessions 2017 taking place in Port Charlotte and Bruichladdich. And after having to miss it last year due to my heart operation I’ll be back to enjoy them even more this year. This years programme includes a variety of artists, some I’ve seen before, others will be new to me.
The Islay Sessions 2017 start on Friday 17/Nov with a Concert in the Conservatory at the Port Charlotte Hotel. Adam Sutherland and Mark Clement will be performing. After the concert there will be informal sessions in the Port Charlotte Hotel bar, I expect until late into the night.
There will be workshops on Saturday morning, the participants will then also perform at the big concert on Saturday evening 18/Nov at Bruichladdich Hall. I hope many local musicians young and old will join Tannara, the Joy Dunlop Trio and Jenn & Laura Beth.
The weekend will close with another Concert in the Conservatory at the Port Charlotte Hotel on Sun 19/Nov (followed by more informal sessions in the bar I hope), this time with Innes Watson.